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Pieter van der Borcht (I) or Peter van der Borcht (alternative spellings of last name: van der Borght and Verborcht, sometimes also: Pieter van der Borcht (II) or Pieter van der Borcht (IV), and alternative first name spellings: Peeter and Pierre) (c. 1540 –1608) was a Flemish Renaissance painter, draughtsman and etcher. He is regarded as one of the most gifted botanical painters of the 16th century.〔Thomas Gloning, Lydia Kaiser und Ans Schapendonk, ''Rembert Dodoens und sein Cruyde Boeck (1563)'' in: 'Rembert Dodoens, Cruyde Boeck, Antwerpen 1563', UB Marburg, Marburg, 2005, p. 1-73 〕 ==Life== Not much is known about Pieter van der Borcht's life. He was born in Mechelen. There are indications that Pieter van der Borcht was likely the son of Jacques van der Borcht. Jacques van der Borcht was an artist who was regarded in 1562 as the dean of the Mechelen Guild of Saint Luke.〔(Pieter van der Borcht ) at Mechelen MAPT 〕 Pieter van der Borcht is recorded in 1564 as working from Mechelen for Christopher Plantin, who operated a famous book printing and publishing enterprise in Antwerp.〔(Pieter van der Borcht ) at the University of Victoria〕 He supplied Plantin with the drawings for the engravings for many scientific publications of Plantin such as the works of Rembert Dodoens, Carolus Clusius and Matthias de l'Obel.〔J. G. Van Gelder, ''Van blompot and blomglas'', in: Elsevier's XCI No. 2, p. 73-82 〕 While van der Borcht was still living in Mechelen in 1572, the city that had risen against the Spanish occupiers was retaken and sacked by Spanish troops under the Duke of Alva. The plundering of the city lasted for three days. Van der Borcht and his family were able to flee to Antwerp. Here Plantin gave them free lodgings in his own house. A letter of Plantin testifies to the fact that the departure from Mechelen of the van der Borcht family must have been very sudden as on their arrival in Antwerp both parents were sick and their children naked. Van der Borcht would never leave Antwerp where he became a full time assistant of Plantin. He illustrated many liturgical books published by Plantin, mainly for the Spanish market. He likely became a member of the Antwerp Guild of Saint Luke in 1580 and was its dean from 1589 to 1592.〔 Some art historians have questioned that the ‘Pieter Verborcht, painter’ who became a master in the Guild of Saint Luke in Antwerp in 1580 and served as its dean in 1591 and 1592 was the same as Pieter van der Borcht (I) since it was unlikely that a non-citizen would be allowed to hold this position in the Guild at that time.〔Jetty E. van der Sterre. "Borcht, Pieter van der." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 17 Sep. 2014〕 Pieter had a son also called Pieter van der Borcht who became an artist. It is not clear whether he is one of the painters active under that name in Brussels. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Pieter van der Borcht the Elder」の詳細全文を読む スポンサード リンク
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